Tuesday, December 25, 2012

The Complete National Geographic on 7 DVD-ROMs

Browse 123 years of National Geographic magazine—more than 1,400 issues, 8,000 articles, 200,000 photographs, and hundreds of maps exactly as they appeared in print. Our definitive collection of every issue of National Geographic magazine through 2011 is digitally reproduced in high resolution. Use the visual interface to explore a topic, find photographs, browse the globe, or wander on your own expedition. Includes bonus DVD featuring the history of the National Geographic Society. Requires Windows® 7/Vista/XP/2000 or Mac® OS X v10.4 or later. Internet access required for some features.

The Hairy Loch: Frames 14,691-93 January 3, 2010


Contributing editor Jim Richardson is a photojournalist recognized for his explorations of small-town life. His photos appear frequently in National Geographicmagazine.
The islanders on Skye call it the Hairy Loch. I call my image of it (for the "Edge of the World" story about the Hebrides) Skye Pan I. The photograph was stitched together from frames 14, 691, 14,692 and 14,693.
I've always loved the Hairy Loch and have driven past it often. The intricacy and regularity of the reeds in the loch was always alluring, but at the time I had no idea of just what a complex and storied place it was. That would come later when I explored the history of the Hairy Loch, properly called Loch Cill Chroisd.
For all the times I had seen it, I had never really gotten a picture of it until this morning when I was hurrying to the Glasgow airport to take a flight home. Once, some 13 years before on a previous National Geographic assignment, I had stopped here for a gorgeous sunset and tried to photograph it but was defeated by the dreaded Scottish midges (or "midgies," the way Scots say it.) The midge is species of invisible, flying piranha known to eat the flesh off the bones of a photographer in minutes. I gave up.
When this scene of Loch Cill Chroisd unfolded before me, I had to stop the car. The sun was rising, the fog was thinning, and I worked frantically to photograph the view before it was gone. I asked myself, why the hell had I lingered for so long at the loch up the road when this was waiting for me here?
The scene cried out for all the detail I could capture. Oh, the great heap of Beinn na Caillich rising above the horizon didn't need the detail. It was the water's reeds, dappled with floating leaves, that needed detail. They needed a subtle rendering that would give each blade of grass its due credit in making up the matrix of life in this stunning landscape.
The ability to stitch several digital images together to form a panorama is a powerful tool for landscape photographers. And it results in a huge file, brimming with information that renders fine detail precisely and maintains lush tonalities. So grabbing my tripod, I quickly mounted the camera, leveled the head, and started shooting multi-image sets of images for later processing in the computer.
There are ways in which digital processing actually removes distortion from images. Before joining one image to the next, the software takes out some of the stretching that lenses inevitably produce when rendering the real world onto a flat surface. (It's a necessary byproduct of optics, roughly analogous to the kind of stretching that happens when you project a spherical Earth onto a flat map.) But readers of National Geographic remain shy of anything that smacks of "digital manipulation" (as we all should be) and so when we published the image, we duly noted that it was a panorama made up of several images.
The resulting image had a strong sense of serenity. Several of the other variations I tried had this same sense of calm, but this particular set seemed to have the best harmony. Plus, the detailed rendering suggested something more.

Monday, December 24, 2012

nilart


nilart | Tumblr

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Nilart İnternet Hizmetleri yeni web 2.0 standartlarına uygun görsel ve işlevsel yeni tasarımını gururla sunuyor…Nilart sizlerin sayesinde başarılarına devam ...

Photographing Dogs

Acknowledging the growing demand for professional portraits that document the beauty and unique personalities of beloved canine companions, this well-rounded guide details the ins and outs of the business—either as the sole pursuit of a photography venture or as an additional service to be offered by a general portrait photography studio. Tips for establishing a body of work that reflects one’s style are presented along with techniques for acquiring and servicing paying customers. From utilizing social networking and making strong first impressions to preparing for sessions and finding effective pricing for work, this invaluable handbook covers every aspect of this niche art. Also included are sections on maintaining relationships to establish repeat clients and the benefits and realities of charitable work. Packed with charming images and practical techniques for achieving financial success, this book is a must-have for those who photograph dogs for a living.

Great lenses make great cameras


720p HD Video Recording

The DMC-S2 can record motion images in high-definition (1,280 x 720 pixels in Motion JPEG format).

• QuickTime Motion JPEG. • Some lens movement sounds may be recorded. • In Motion Picture Mode, the length of recording time depends on the capacity of the SD/SDHC/SDXC Memory Card. (Up to the equivalent of 2 GB per motion-image recording.) • For Europe, motion images can be recorded continuously for up to 15 minutes. • Use a card with SD Speed Class* with "Class 6" or higher when recording motion images. * SD speed class is the speed standard regarding continuous writing. • SDHC Memory Cards and SDXC Memory Cards can be used only in equipment that is compatible with their respective formats. • If the computer being used does not support SDXC Memory Cards, a message prompting you to format may appear. (Doing so will cause recorded images to be erased so do not choose to format.) If the card is not recognized, please refer to the below support site. http://panasonic.net/avc/sdcard/information/SDXC.html
Panorama Shot

Around the World: Travel Photography 101


Read More From Jim Richardson

Around the World: Travel Photography 101


Read More From Jim Richardson

Around the World: Travel Photography 101


Read More From Jim Richardson

Zoom Shots / Macro Shots


Scene Detection - Intelligent Scene Selector*2

The Intelligent Scene Selector senses the ambient conditions and automatically selects any of the Scenery, Portrait, Macro, Night Portrait*3, Night Scenery or Sunset Mode accordingly.

Zoom Shots / Macro Shots


Scene Detection - Intelligent Scene Selector*2

The Intelligent Scene Selector senses the ambient conditions and automatically selects any of the Scenery, Portrait, Macro, Night Portrait*3, Night Scenery or Sunset Mode accordingly.

jim Richardson: Notes and Tips From the Field

After a quarter century of traveling the world on amazing assignments for National Geographic, I'm still learning how to take nonfiction photographs that say more. What underpins my photographs for National Geographic? Pencil-blunting research long before a shoot. On-the-fly camera settings and in-the-field improvisations. And sometimes I just get lucky. Mostly, I never take myself too seriously and I always figure there must be a better way—if I can just figure it out. Learn with me as I keep growing.

Night Scenes


MEGA O.I.S – Shake Detection

The MEGA O.I.S. (Optical Image Stabilizer) compensates for the blurring caused by hand-shake. Even slight hand-shake movement is accurately detected by a sampling frequency of 4,000 times per second, and compensated to produce sharp, clear images.

MEGA O.I.S – Shake Detection

The MEGA O.I.S. (Optical Image Stabilizer) compensates for the blurring caused by hand-shake. Even slight hand-shake movement is accurately detected by a sampling frequency of 4,000 times per second, and compensated to produce sharp, clear images.

NEW! LUMIX® GH3 Body Only, 16 Megapixel Digital Single Lens Mirrorless Camera (No Lens)


  • Professional HD Video up to 1080/60p in H.264 format
  • Sealed magnesium-alloy body helps the camera withstand the rigors of professional use.
  • Full Area High-Speed AF System for fast shooting and focus in both still and video modes
  • Dual-OLED Displays are used for both the Live View Finder and the rear monitor and feature 100% coverage, exhibits virtually no perceptible lag time and ensures the subject is shown with natural coloring.

The Mitsubishi CP-D707DW Photo Printer is Perfect for Events, Photo Booths, Studios and Labs!

Mitsubishi’s CP-D707DW is a dual deck, high-speed, professional event photo printer with two separate paper paths, providing the option of printing two different photo sizes or increasing output efficiency with high-speed photo printing.

And this printer is fast! With the same media size in both of its dual paper paths, the CP-D707DW produces a brilliant 4×6 photo in just 5.4 seconds. That’s (10) 4”x6” photos every minute! The CP-D707DW offers the choice of either Fine (high speed) or NEW Super Fine (high- resolution) print mode and Super Fine Matte finish with no change of media. The CPD70 is supported by genuine Mitsubishi media and produces stunning photographs in 2×6, 3.5×5, 4×6, 5×7 and 6×8-inch sizes. Mitsubishi’s CP-D707DW, full-featured, dual-deck event photo printer is a fast, lightweight professional photo printer with Mitsubishi’s reputation for quality, reliability and efficiency.

photographers


photographers

A photographer (from Greek φωτός (photos), meaning "light", and γράφω (graphos), meaning "written") is a person who takes photographs. A professional photographer uses photography to earn money; amateur photographers take photographs for pleasure and to record an event, emotion, place, or person.
A professional photographer may be an employee, for example of a newspaper, or may contract to cover a particular event such as a wedding or graduation, or to illustrate an advertisement. Others, including paparazzi and fine art photographers, are freelancers, first making a picture and then offering it for sale or display. Some workers, such as policemen, estate agents, journalists and scientists, make photographs as part of other work. Photographers who produce moving rather than still pictures are often called cinematographers, videographers or camera operators, depending on the commercial context.
Photographers are also categorized based on the subjects they photograph. Some photographers explore subjects typical of paintings such as landscape, still life, and portraiture. Other photographers specialize in subjects unique to photography, including street photography, documentary photography, fashion photography, wedding photography, war photography, photojournalism, and commercial photography.                          
A photographer (from Greek φωτός (photos), meaning "light", and γράφω (graphos), meaning "written") is a person who takes photographs. A professional photographer uses photography to earn money; amateur photographers take photographs for pleasure and to record an event, emotion, place, or person.
A professional photographer may be an employee, for example of a newspaper, or may contract to cover a particular event such as a wedding or graduation, or to illustrate an advertisement. Others, including paparazzi and fine art photographers, are freelancers, first making a picture and then offering it for sale or display. Some workers, such as policemen, estate agents, journalists and scientists, make photographs as part of other work. Photographers who produce moving rather than still pictures are often called cinematographers, videographers or camera operators, depending on the commercial context.
Photographers are also categorized based on the subjects they photograph. Some photographers explore subjects typical of paintings such as landscape, still life, and portraiture. Other photographers specialize in subjects unique to photography, including street photography, documentary photography, fashion photography, wedding photography, war photography, photojournalism, and commercial photography.
           

Saturday, December 22, 2012

photographer#439:colin delfosse


photographer#441:tereza vlckava


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Tereza Vlčková, 1983, Czech Republic, is a conceptual and fine-art photographer currently studying at the Silesian University in Opava, the Institute of Creative Photography. In 2007 she completed the series A Perfect Day, Elise... showing floating girls with a mountainous background. Since then she has been in numerous exhibitions amongst which are Paris Photo in 2010 and 2011 and the traveling reGeneration2 group show. Throughout her series we find deeper layers dealing with themes as fear, the self and dreams. In her series Two she photographed indentical twins in a scary forest setting. The project deals with the questions of the "I" and the psychology of how we perceive ourselves. She seeks a fine line between fiction and reality. Are all of the twins truly twins or have some been created merely showing an alter-ego of some of the girls? Her work has been featured in a large number of photography / art magazines and catalogs as Exit, Picnic and Photonews. The following images come from the series Mirrors Inside, Two and A Perfect Day, Elise...Tereza Vlčková, 1983, Czech Republic, is a conceptual and fine-art photographer currently studying at the Silesian University in Opava, the Institute of Creative Photography. In 2007 she completed the series A Perfect Day, Elise... showing floating girls with a mountainous background. Since then she has been in numerous exhibitions amongst which are Paris Photo in 2010 and 2011 and the traveling reGeneration2 group show. Throughout her series we find deeper layers dealing with themes as fear, the self and dreams. In her series Two she photographed indentical twins in a scary forest setting. The project deals with the questions of the "I" and the psychology of how we perceive ourselves. She seeks a fine line between fiction and reality. Are all of the twins truly twins or have some been created merely showing an alter-ego of some of the girls? Her work has been featured in a large number of photography / art magazines and catalogs as Exit, Picnic and Photonews. The following images come from the series Mirrors Inside, Two and A Perfect Day, Elise...

photographer#442:vincent fournier

Vincent Fournier, 1970, France, is an image-maker who combines documentary and staged photography. He studied photography at the École Nationale Supérieure de la Photographie in Arles. His ongoing series entitled Space Project reflects his fascination for the space age. His inspiration stems from various things in his youth and by watching movies as 2001: A Space Odessey and Solaris. His large scale images contain an aspect of humor, mainly due to carefully placing his subjects and objects. For this project, as well as his other personal works, he has traveled around the globe. Tour Operator is a body of work inspired by the book Around the world in 80 days by Jules Vernes. He has documented the transformation of landscapes and the interaction between mankind and the environment. In an intelligent and witty manner he directs our eyes to the bizarre and the usual. In his project The Man Machine he carefully staged robots in urban settings and the spaces where they are being developed. Both his projects Tour Operator and Space Project have been released as books. The following images come from the series Space Project, Tour Operator and The Man Machine.